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Eventually, the demand for Coffey's magic touch led to appearances on recordings by Quincy Jones, Barbra Streisand, Michael Jackson, Stevie Wonder and many others. I 【Hot Coffey in the D／Dennis Coffey, Lyman Woodard, Melvin Davis／ハイレゾ】.{/INSERTKEYS}{/PARAGRAPH} He was a very accomplished musician; he was a person that had a very extensive following in the city of Detroit. Much of our audience was middle to upper class folks who were judges, attorneys, businessmen and women who just loved listening to our brand of funk, jazz, rock and soul. Therefore, it was important for the trio to maintain a distinct and compelling musical identity that evolved over time. This new style developed by Coffey can be heard on such mega-hits as the Temptations' "Ball of Confusion That's What the World Is Today ," Edwin Starr's "War," and the Supremes' "Someday We'll be Together," among many others. Coffey contributed to the evolving soul and funk sound coming out of Detroit by introducing guitar innovations like fuzz-tone distortion, Echoplex tape delay and wah-wah, previously the exclusive province of rock and roll players. In the late '60s, Dennis Coffey was a fixture in the fertile Detroit soul recording studio scene, where he helped shape the sound of countless hits for Detroit's indie soul labels Golden World, Ric-Tic, Kelmac and Revilot, among others. {PARAGRAPH}{INSERTKEYS}Traditional[Composer], Dennis Coffey[electric guitar], Lyman Woodard[hammond organ], Melvin Davis[drums] Info Credit Dennis Coffey's Hot Coffey in the D, is a collection of previously unreleased live recordings made during the legendary guitarist's residency at Morey Baker's Showplace Lounge in Detroit in featuring Motor City staples on the scene - organist Lyman Woodard and drummer Melvin Davis. Their first gigs were in at a club called the Frolic Show Bar. Coffey's sound was something new and different and lent a modern feel to all the records he played on. In , the trio left the Frolic and began an extended tenure at Morey Baker's Showplace Lounge, where this set was recorded. They couldn't just revisit the same material over and over and expect to hold onto their audience.
